Alex Clare: Microsoft-Endorsed Singer-Songwriter Uses Major Lazer to Make Something Different

Alex Clare Facebook
British singer-songwriter Alex Clare has already experienced just about all the highs and lows the music business can throw at him.
Clare, who briefly dated Amy Winehouse in 2006, put out his debut album The Lateness of the Hour in July 2011 and he’s already been dropped and resigned by his record label.
The initial release of the Major Lazer-produced album on Island Universal was panned by the British radio industry, a deathblow to an emerging artist on a major label. According to Clare, he was ahead of the curve with his sound.
“The industry is ruled by a small group of people and there weren’t a lot of people [with my sound] at that point,” Clare tells Spinner. “But six months after my record came out, everyone was doing it!”
But when his song “Too Close” went viral after it was picked by Microsoft for their Internet Explorer 9 ad campaign suddenly Universal Republic, another arm of Universal Music, quickly welcomed him back in the fold.
Not being allowed to play certain shows on weekends for religious reasons — traditionally a working musician’s busiest days — hasn’t made Clare’s upward climb any easier either.
As an Orthodox Jew, Clare adheres to laws that prohibit work on the Sabbath from sundown on Friday to sundown on Saturday. As much of an obstacle as that is, he also uses it as a spiritual lesson to get him through.
“It definitely bolsters you in hard times,” he says. “There’s the expression of ‘betochen,’ which means, trust or, or what ever happens, happens for the right reason — that’s a fundamental part of Judaism.
“No matter how bad things can seem, it’s just the way it has to be at that time. When you realize that, you take that understanding upon yourself. It becomes a lot easier to deal with the blows of life.”
Then there’s the whole thing about trying to figure out his place in the musical landscape. Nominally a “singer-songwriter,” Clare is maybe a bit too bass-heavy for the Starbucks scene typecasting that goes with that label. Getting people like Skream and Nadastrom to remix versions of “Too Close” doesn’t do anything to make his place any less blurry.
“Well I think that most people that write and play their own music are [singer-songwriters],” Clare says practically, before adding a cheeky jab. “You just have to open your paradigm a little bit. Some people assume that its just you up there with your guitar… and you might be wearing tweed.”
In fact, the album has as much to do with Clare’s childhood jazz and soul influence and a bit of a reggae vibe that you just can’t escape when recording it in Jamaica.
“I spent a lot of time with my dad listening to jazz records and going to jazz concerts,” he says. “For an English person, I think I have a weird vocal tone because I learned to sing through blues and soul records.”
Additionally, Clare would suggest his music’s anti-Brit-pop, a genre he was never a fan of.
“I didn’t like the tonality or the lyrical content,” he says. “I felt it was wasted in the Brit-pop music of the ’90s. It could have been a lot better. A lot of it sounded the same to me. If I wasn’t listening to soul, it was something rave-y or underground.”
Moskito – Club Review – BlogTO
by Jesse Ship / DECEMBER 18, 2012
Just a few months after Plaza Flamingo shut down, the building has already gone through one identity change. The Rochester, whose name derived from the building’s original 1900s storage house identity, quickly fell flat on its face, and has now been reformed as Moskito + Bite; Moskito being the upper dance space, with Bite as a restaurant tapas lounge that also hosts various live music events.
So far, Moskito has been creating an old school, all-nighter, booming stereo party space for international and local artists that has not been seen since the days of Industry and other spots that vanished around the turn of the century. The owners (local restaurateurs with a few neighboring shisha and tapas bars in their portoflio) are doing a good job of creating a go-to spot for a quality night out with no pretensions, and a well-mannered security team.
The space is quite vast with a massive sunken dance floor surrounded by bars on its perimeter, and the DJ booth 3/4s of the way to the back, backed by what could be used as a VIP section if the organizers choose to make it so. What might need to be tweaked is their exit system, which has party-goers leave through the downstairs Bite lounge.
Decor has a laissez-faire feel to it, with the odd ping-pong-playing geisha wall print, and ceilings have exposed bulk heads with ventilation pipes that snake around the club. The gray stuccoed back corner bar area is actually a service area, so don’t wait around there expecting to be served! The bars have anonymous tip jars for you to dump your change into rather than leaving coins on soaked and sticky counter surface. What might also take you back to the old school party vibe are the water prices, with bottles clocking in at $5.00. Beers run at typical price–Heineken for $7, and Stiegel tall can for $8–and standard bar rail comes in at $6.
With a number of top techno and house promoters and bookers on board like The Gerbz, Platform, Embrace, Mansion, Bassmentality, and Provoke, Moskito is bound to keep the dance scene alive, but it seems they might have to re-evaluate their crowd control strategy. If you’re arriving at 1 a.m. to see an act like Art Department, you might as well forget about it, or wait a good hour in line before the crowd dies down. However, not all big acts will draw such a crowd. I was there for Mark Farina a week before, and was let in quickly and efficiently. You can also catch bands playing downstairs at Bite, like Toronto’s most up-and-coming funk and rare groove band, the Soul Motivators.
With its friendly staff, punishing sound system and convenient location, it would be nice (albeit a bit selfish) to keep this place a secret for those in the know. If Moskito keeps up with its already growing crop of bookings, it could be the next big thing in Toronto’s club scene. The next major shows coming up include their in-house selection for the Dirty Cycles New Years Eve party.
Additional Details
- BEERS ON TAP:
- None
- SIGNATURE DRINK:
- None
- BAR SNACKS:
- Downstairs at Bite
- PATIO:
- No
- MUSIC/GENRE:
- No strict guidelines but mostly electronic music such as house, techno, electro, dubstep
- LIVE MUSIC:
- Yes
- WHO GOES THERE:
- Club heads, dance music lovers, EDM lovers
- HOURS:
- 10 pm – 5 am
Raja – International Lover Mix for /I A/
Drrrrringggg!!!!! Drrrrrrrrringgggg!!!!! (If you caught where that sample is from then you are one dope ass cheese shop and Python lovin mofo).
Soundcloud helped me uncover this kick back and relax the f out mix from Raja on /I A/ aka Interted Audio, and I couldn’t be happier.
Tracklist:
1. Prince – International Lover
2. Douglas Wood – Moon Nightclub
3. Helado Negro – Playas
4. Jack Marshall & Shelly Manne – S’posin’
5. Jonti – Batmilk
6. Jon Brion – Healthy Choice
7. Timmy Thomas – Why Can’t We Live Together
8. Young Marble Giants – This Way
9. Hammond Elegante
10. J Rocc – Track 04
11. RAJA – Mall Cops
12. Cass McCombs – What Isn’t Nature
13. James Pants – Whirlpool
14. Raaja, Gansesh, Hamsalekha – Vikram
15. Phil Famous – Toyota Town
16. Pleasure – Thoughts Of Old Flames
17. Ken Nordine – Hunger Is
18. Lenny White – Night Games
19. Prefab Sprout – Wild Horses
20. Alvino Rey – Moonlight in Vermont
21. J Dilla – Track 05
22. Mandingo – The Headhunter
23. Jonti feat The Stepkids and Illa J – The Days Have Turned
Proper Link: http://www.inverted-audio.com/raja/
Epitaph’s Happy Holidays
I’m not a massive fan of the tunes but this xmas card is f#^@in’ KILLER!
Pentagram Sam – Da Grimston & Mist-E
This is pretty much how I feel about mosts of the Masonic, Crowleyian and Kabbalist conspiracy crazies I see on Facebook.
Classic latkes win big at Caplansky’s Latkepalooza 2012 – BlogTO
Posted by Jesse Ship / DECEMBER 17, 2012Competition was fierce this year at Caplansky‘s third annual Latkepalooza, with a number of repeat competitors vying for the greasy apple sauce and sour cream-laden crown. The contest saw seven contestants, with 36 latkes each, duking it out on the eighth crazy night of Hannukah, the Jewish festival of lights.The event was hosted by Zane Caplansky, owner and restaurateur of Caplansky’s Deli, and it’s actually part of a larger series he calls the “Battle of the Bubbies” (Yiddish for grandmother) where the traditional foods of Eastern European Jewry are judged. “It’s a way of showing people who may or may not be Jewish what our cuisine is all about,” Zane explained.
If you’re not sure what he’s talking about, you just have to think of traditional deli foods like Matzah balls, Gefilte fish, borscht, and such. While the event was sponsored by the National Post’s Gastropost, the real judges were a packed house of fans who graded entries on scorecards based on appearance, flavor, texture and overall likeability.
The 2012 entrants came from all walks of life, from 30-something Andrew Cohen who presented a traditional crispy batch of latkes adapted from a NY Times recipe by Mark Bittman of the NY Times using ingredients you’d expect from your average family Hannukah party (olive oil, potatoes, and onions), to a variety of pro chefs and caterers like Jason Rees of the sacrilegious Pork Ninjas BBQ team who, instead of just using traditional olive oil, improvised with duck fat and beef tallow stock thanks to a prime rib catering order he received that morning. Added to the potatoes were beets and carrots, and in a final coup de grace, they were imbued in cherry smoke.

Other standout entrants were Rossy Earle of SupiCucu catering who was inspired by her Panamanian heritage, adding plantains to the mix. Surprisingly, hers were not the only latkes with Latin flare. Amateur chef David Kruger created a Mexican latke, which was more like a hefty brisket-inspired puck, loaded with cumin, beef jus, sweet potato, coriander, and chipotle, then accessorized with roasted jalapeno, lime juice, sour cream and a Mayan habanero apple sauce.
From Central America, we were taken to Korea of all places thanks to amateur giant pumpkin grower Marc Levy, who did it all for “the love of latkes,” replacing standard potatoes with Korean golden Yams found in the Korean supermarket he frequents. His Jewrean (Korean and Jewish) blend came out flat and crispy, with tendrils of green onion seen in the yellow flesh, emulating the traditional Korean Gahmja Jeon.

And then there was Ellie Callahan (manager of Thundering Thelma, Caplansky’s roving food truck) who whipped up her very first batch of latkes especially for the event, improvising on a recipe she found in a cookbook (actually an early Christmas present).
It seems like the spirit of Tevya (of Fiddler On The Roof fame) was present that night because despite the many new school entries, it was tradition that won in the end. Professional caterer and real life bubbie Phyllis Grossman of Grossman Catering took home the golden trophy with her purist rendition of the classic recipe. “They’re just flour, onions, olive oil, salt, pepper and matzah meal. You squeeze the shredded potato to drain off the starch, and that’s it! We were up at 6 a.m. frying latkes today because we had an order for 200,” she told us.

“It was kind of heartwarming to see that happen,” said Zane, who was also a bit surprised by the conservative win. “You’ve got the new guys with their newfangled latkes, but it was the tried and true that actually took the day. It was a classic, simple, latke recipe.”
BIRDY NAM NAM: SKRILLEX & JUSTICE HELPING FRENCH EDM ACT TO FLY IN AMERICA

Posted on Dec 11th 2012 5:00PM by Jesse Ship
French band Birdy Nam Nam have figured out why EDM has taken off.
“In America, EDM is finally talking to young white Republican voters,” Lil’ Mike, the tongue-in-cheek parrot of France’s four-person former turntablist-turned-beat-maker crew jokes with Spinner.
The crew already bring out hordes of fans in France and the rest of Europe, but have recently flapped their wings across North America after being discovered by Skrillex on the European music festival circuit last summer. The lop-haired one liked their set so much that he couldn’t wait to get to his laptop to drop a remix of their “Goin’ In” tune, which is now raking in millions of YouTube hits.
Their music doesn’t exactly fall into the dubstep category, but the wobble-heavy beats are probably the most logical way to gain new fans while on Skrillex’s OWSLA Records North American tour.
“[Skrillex] really understood our band’s energy. If we were touring dubstep in Europe, it would be different, but it’s the best way to get in touch with our audience,” says Lil’ Mik. “What we’re doing isn’t hip-hop, EDM, dubstep, techno, but it’s a bit of everything at the same time. We have to find all kinds of ways to find our audience, so dubstep is a good avenue.”
What started as a loose four-man turntablist and DMC scratch champion collective has evolved into something a little more current, with a high energy medley of organized swooshing and stabbing chaos added to their sound.
“Now we use M-audio pads, mini synths, Serato, effects boxes, turntables. You know, simple stuff,” he says nonchalantly.
Continue reading: BIRDY NAM NAM: SKRILLEX & JUSTICE HELPING FRENCH EDM ACT TO FLY IN AMERICA
SWIMS Winter 2012/13
SWIMS are innovators in waterproof boot slips, or galoshes/rubbers, if you wanna be old school about it. Here are some of their Winter 2012/13 selections that you might want to add to your ‘want’ or ‘gift list’. They’ve recently expanded into actual boots that mimic classic sneaker and dress shoes. ps: WordPress 3.5 Image Gallery, you look pretty but that doesn’t stop you from bein a dirty little f$#%er.
Bubala Please: Hannukah Edition #1
I’ve been noticing a trend, or even tradition these days at my family’s Hannukah parties where the little cousins will all get together to clamour around a laptop and watch the latest cheeseball Hannukah themed viral song and dance videos. Sadly, I don’t think any of their parents will take it too well if I drop this number on them. I can only imagine their confused little faces, although some at their age will watch anything on a screen as long as it sings and dances. Oh my bubelahs…..
May Review – BlogTO
Posted by Jesse Ship / DECEMBER 4, 2012
Outside, a worn out sandwich board advertises $9.99 wings and beer from 3-6 pm, and suggests coming in to warm up with a cup of Viet coffee (I haven’t tried theirs but it’s hard to go wrong with a stiff cup of Trung Nguyen). If you were to peer into the now untinted windows on any given night, you’ll see a variety of up and coming bands singing their hearts out to fans and friends on a smallish elevated stage nestled into a corner in the front.
We ordered a pitcher of Amsterdam ($15, or $6 for a pint) and settled into a smallish bar table towards the back to watch a hodgepodge of local and touring bands, brought together by Newfoundland’s award-winning sax-driven rock funk band, Bay Town.
Not much has changed yet since the bar has switched over to the new owners. It still has a “quality dive bar” appeal with dim lighting, dirty wood floors, haphazard ceiling lamps with exposed wiring, and off-kilter wall hangings. The air vents that line May’s ceiling are a remnant from its underworld days, used not for A/C but to suck out the copious amounts of cigarette smoke from when Vietnamese gangsters would smoke and drink the nights away, and sometimes settle disputes in their own fashion.
Since the bar was just acquired as a ‘fixer-upper’ with numerous renos scheduled, there’s no sense in critiquing too harshly for the jumbled décor or bar set up offering tall cans of Stiegl ($6), Amsterdam beer ($6 pints,) a variety of bar rails ($6.00-$6.50), and premiums like Old Label Premium Gold, Remy Martin, and Crystal Skull Vodka ($10-$20).
Their new owner David, has big plans for May which involve turning it into a community entertainment hub, hoping to host board game nights that would run into the wee hours of the night, with a 24 hour kitchen. As a local hangout space, they are definitely winning with the living room/South East Asian hostel vibe with random plates of chips and candies scattered around the bar.
“We still have Viet customers who come for karaoke, and of course we don’t allow smoking anymore, but you can stay until 5 am if you want to. I envision people coming to study here, use our WiFi, dance, watch bands, play board games or play foosball — I want this to be a public entertainment space, however, we still want to hang on to the notoriety. People have been arrested and shot here. It has history and we think that’s kind of cool!”
Additional Details
- BEERS ON TAP:
- Amsterdam Blonde, Amsterdam Big Wheel, Golden Horseshoe, Hoptical Illusion, Smash Bomb Atomic, Red Leaf, Wellington
- SIGNATURE DRINK:
- Viet Coffee
- BAR SNACKS:
- Chips, Cheetos, hard candy, Viet tapas menu coming soon
- PATIO:
- Yes
- MUSIC/GENRE:
- Rock, folk, electronic, jazz—anything goes
- LIVE MUSIC:
- Yes
- WHO GOES THERE:
- Local music fans, friends of the band, neighborhood types, artists, musicians
- HOURS:
- 5 p.m. – close, Wednesday to Saturday











