Raja – International Lover Mix for /I A/
Drrrrringggg!!!!! Drrrrrrrrringgggg!!!!! (If you caught where that sample is from then you are one dope ass cheese shop and Python lovin mofo).
Soundcloud helped me uncover this kick back and relax the f out mix from Raja on /I A/ aka Interted Audio, and I couldn’t be happier.
Tracklist:
1. Prince – International Lover
2. Douglas Wood – Moon Nightclub
3. Helado Negro – Playas
4. Jack Marshall & Shelly Manne – S’posin’
5. Jonti – Batmilk
6. Jon Brion – Healthy Choice
7. Timmy Thomas – Why Can’t We Live Together
8. Young Marble Giants – This Way
9. Hammond Elegante
10. J Rocc – Track 04
11. RAJA – Mall Cops
12. Cass McCombs – What Isn’t Nature
13. James Pants – Whirlpool
14. Raaja, Gansesh, Hamsalekha – Vikram
15. Phil Famous – Toyota Town
16. Pleasure – Thoughts Of Old Flames
17. Ken Nordine – Hunger Is
18. Lenny White – Night Games
19. Prefab Sprout – Wild Horses
20. Alvino Rey – Moonlight in Vermont
21. J Dilla – Track 05
22. Mandingo – The Headhunter
23. Jonti feat The Stepkids and Illa J – The Days Have Turned
Proper Link: http://www.inverted-audio.com/raja/
Epitaph’s Happy Holidays
I’m not a massive fan of the tunes but this xmas card is f#^@in’ KILLER!
Pentagram Sam – Da Grimston & Mist-E
This is pretty much how I feel about mosts of the Masonic, Crowleyian and Kabbalist conspiracy crazies I see on Facebook.
Classic latkes win big at Caplansky’s Latkepalooza 2012 – BlogTO
If you’re not sure what he’s talking about, you just have to think of traditional deli foods like Matzah balls, Gefilte fish, borscht, and such. While the event was sponsored by the National Post’s Gastropost, the real judges were a packed house of fans who graded entries on scorecards based on appearance, flavor, texture and overall likeability.
The 2012 entrants came from all walks of life, from 30-something Andrew Cohen who presented a traditional crispy batch of latkes adapted from a NY Times recipe by Mark Bittman of the NY Times using ingredients you’d expect from your average family Hannukah party (olive oil, potatoes, and onions), to a variety of pro chefs and caterers like Jason Rees of the sacrilegious Pork Ninjas BBQ team who, instead of just using traditional olive oil, improvised with duck fat and beef tallow stock thanks to a prime rib catering order he received that morning. Added to the potatoes were beets and carrots, and in a final coup de grace, they were imbued in cherry smoke.
Other standout entrants were Rossy Earle of SupiCucu catering who was inspired by her Panamanian heritage, adding plantains to the mix. Surprisingly, hers were not the only latkes with Latin flare. Amateur chef David Kruger created a Mexican latke, which was more like a hefty brisket-inspired puck, loaded with cumin, beef jus, sweet potato, coriander, and chipotle, then accessorized with roasted jalapeno, lime juice, sour cream and a Mayan habanero apple sauce.
From Central America, we were taken to Korea of all places thanks to amateur giant pumpkin grower Marc Levy, who did it all for “the love of latkes,” replacing standard potatoes with Korean golden Yams found in the Korean supermarket he frequents. His Jewrean (Korean and Jewish) blend came out flat and crispy, with tendrils of green onion seen in the yellow flesh, emulating the traditional Korean Gahmja Jeon.
And then there was Ellie Callahan (manager of Thundering Thelma, Caplansky’s roving food truck) who whipped up her very first batch of latkes especially for the event, improvising on a recipe she found in a cookbook (actually an early Christmas present).
It seems like the spirit of Tevya (of Fiddler On The Roof fame) was present that night because despite the many new school entries, it was tradition that won in the end. Professional caterer and real life bubbie Phyllis Grossman of Grossman Catering took home the golden trophy with her purist rendition of the classic recipe. “They’re just flour, onions, olive oil, salt, pepper and matzah meal. You squeeze the shredded potato to drain off the starch, and that’s it! We were up at 6 a.m. frying latkes today because we had an order for 200,” she told us.
“It was kind of heartwarming to see that happen,” said Zane, who was also a bit surprised by the conservative win. “You’ve got the new guys with their newfangled latkes, but it was the tried and true that actually took the day. It was a classic, simple, latke recipe.”
BIRDY NAM NAM: SKRILLEX & JUSTICE HELPING FRENCH EDM ACT TO FLY IN AMERICA
Posted on Dec 11th 2012 5:00PM by Jesse Ship
French band Birdy Nam Nam have figured out why EDM has taken off.
“In America, EDM is finally talking to young white Republican voters,” Lil’ Mike, the tongue-in-cheek parrot of France’s four-person former turntablist-turned-beat-maker crew jokes with Spinner.
The crew already bring out hordes of fans in France and the rest of Europe, but have recently flapped their wings across North America after being discovered by Skrillex on the European music festival circuit last summer. The lop-haired one liked their set so much that he couldn’t wait to get to his laptop to drop a remix of their “Goin’ In” tune, which is now raking in millions of YouTube hits.
Their music doesn’t exactly fall into the dubstep category, but the wobble-heavy beats are probably the most logical way to gain new fans while on Skrillex’s OWSLA Records North American tour.
“[Skrillex] really understood our band’s energy. If we were touring dubstep in Europe, it would be different, but it’s the best way to get in touch with our audience,” says Lil’ Mik. “What we’re doing isn’t hip-hop, EDM, dubstep, techno, but it’s a bit of everything at the same time. We have to find all kinds of ways to find our audience, so dubstep is a good avenue.”
What started as a loose four-man turntablist and DMC scratch champion collective has evolved into something a little more current, with a high energy medley of organized swooshing and stabbing chaos added to their sound.
“Now we use M-audio pads, mini synths, Serato, effects boxes, turntables. You know, simple stuff,” he says nonchalantly.
Continue reading: BIRDY NAM NAM: SKRILLEX & JUSTICE HELPING FRENCH EDM ACT TO FLY IN AMERICA
SWIMS Winter 2012/13
SWIMS are innovators in waterproof boot slips, or galoshes/rubbers, if you wanna be old school about it. Here are some of their Winter 2012/13 selections that you might want to add to your ‘want’ or ‘gift list’. They’ve recently expanded into actual boots that mimic classic sneaker and dress shoes. ps: WordPress 3.5 Image Gallery, you look pretty but that doesn’t stop you from bein a dirty little f$#%er.
Bubala Please: Hannukah Edition #1
I’ve been noticing a trend, or even tradition these days at my family’s Hannukah parties where the little cousins will all get together to clamour around a laptop and watch the latest cheeseball Hannukah themed viral song and dance videos. Sadly, I don’t think any of their parents will take it too well if I drop this number on them. I can only imagine their confused little faces, although some at their age will watch anything on a screen as long as it sings and dances. Oh my bubelahs…..
May Review – BlogTO
Posted by Jesse Ship / DECEMBER 4, 2012
Outside, a worn out sandwich board advertises $9.99 wings and beer from 3-6 pm, and suggests coming in to warm up with a cup of Viet coffee (I haven’t tried theirs but it’s hard to go wrong with a stiff cup of Trung Nguyen). If you were to peer into the now untinted windows on any given night, you’ll see a variety of up and coming bands singing their hearts out to fans and friends on a smallish elevated stage nestled into a corner in the front.
We ordered a pitcher of Amsterdam ($15, or $6 for a pint) and settled into a smallish bar table towards the back to watch a hodgepodge of local and touring bands, brought together by Newfoundland’s award-winning sax-driven rock funk band, Bay Town.
Not much has changed yet since the bar has switched over to the new owners. It still has a “quality dive bar” appeal with dim lighting, dirty wood floors, haphazard ceiling lamps with exposed wiring, and off-kilter wall hangings. The air vents that line May’s ceiling are a remnant from its underworld days, used not for A/C but to suck out the copious amounts of cigarette smoke from when Vietnamese gangsters would smoke and drink the nights away, and sometimes settle disputes in their own fashion.
Since the bar was just acquired as a ‘fixer-upper’ with numerous renos scheduled, there’s no sense in critiquing too harshly for the jumbled décor or bar set up offering tall cans of Stiegl ($6), Amsterdam beer ($6 pints,) a variety of bar rails ($6.00-$6.50), and premiums like Old Label Premium Gold, Remy Martin, and Crystal Skull Vodka ($10-$20).
Their new owner David, has big plans for May which involve turning it into a community entertainment hub, hoping to host board game nights that would run into the wee hours of the night, with a 24 hour kitchen. As a local hangout space, they are definitely winning with the living room/South East Asian hostel vibe with random plates of chips and candies scattered around the bar.
“We still have Viet customers who come for karaoke, and of course we don’t allow smoking anymore, but you can stay until 5 am if you want to. I envision people coming to study here, use our WiFi, dance, watch bands, play board games or play foosball — I want this to be a public entertainment space, however, we still want to hang on to the notoriety. People have been arrested and shot here. It has history and we think that’s kind of cool!”
Additional Details
- BEERS ON TAP:
- Amsterdam Blonde, Amsterdam Big Wheel, Golden Horseshoe, Hoptical Illusion, Smash Bomb Atomic, Red Leaf, Wellington
- SIGNATURE DRINK:
- Viet Coffee
- BAR SNACKS:
- Chips, Cheetos, hard candy, Viet tapas menu coming soon
- PATIO:
- Yes
- MUSIC/GENRE:
- Rock, folk, electronic, jazz—anything goes
- LIVE MUSIC:
- Yes
- WHO GOES THERE:
- Local music fans, friends of the band, neighborhood types, artists, musicians
- HOURS:
- 5 p.m. – close, Wednesday to Saturday
How much more music is being produced now vs 20 years ago?
The appearance of music streaming apps like Songza, Pandora, 8-Tracks,Spotify, and others has me asking the question, how much more music is being produced and published now, compared to 10 – 20 years ago thanks to easily accessible technology? My internal logic tells me a lot more since it’s easier to crank out, but how much more, or less, music is actually being paid for? Would love to get some stats from some industry heads.
Will we ever run out of tunes is the other great question being raised in this Youtube vid.
Skate For Cancer Movember Edition @ Sneaky Dees
I got hired to run an iPad-based photo booth for a my friend’s digital agency xmas party on Friday night, but ended up at Sneaks to catch the tail-end of Rob Dyer’s Skate 4 Cancer Movember edition party. People were already a little sloppy at this point, and you could say I’d had a few good drinks in me already. Boy, those advertising folks sure know how to party.